Back in Field

Tools of the trade, waiting to be organized and put to use.

Tools of the trade, waiting to be organized and put to use.

Once again I am back on the Konya Plain, organizing my pens and brushes. I arrived at Çatalhöyük this past Tuesday for my 11th field season (7th as illustrator). Excavation on the Neolithic East Mound starts tomorrow. I’m on site for 6 weeks this summer, a shorter period than usual, but I still have lots to work on. I’ll be drawing newly excavated artifacts, finishing up some reconstructions for an upcoming publication, digitizing a bunch of wall painting recordings from recent years, and inking a backlog of illustrations. I’ll post some of this work here over the next few weeks.

In the meantime, take a look at some other images and visualizations of Çatalhöyük. Jason Quinlan is the site photographer and he takes beautiful shots of the artifacts, excavations, and people of Çatalhöyük (you can see a photo of me holding a kitten in the portrait section). And Grant Cox, who completed his MSc in Virtual Pasts at the University of Southampton, has created a 3D reconstruction of the Hunter’s Shrine from the 1960s Mellaart Excavations. You can see it here.

Also, for more archaeological updates on this field season, follow Dr. Scott Haddow’s blog “A Bone to Pick“. Scott is one of the bioarchaeologists on site and he’ll be blogging about all things skeletal throughout the season.

Look Over Here!

I am currently working with Dr. Rosemary Joyce (U.C. Berkeley) to produce a series of archaeological illustrations for a few of her upcoming publications. Dr. Joyce’s research “is concerned with questions about the ways prehispanic inhabitants of Central America employed material things in actively negotiating their place in society. She is especially interested in the use of representational imagery to create and reinforce gendered identities, especially in Classic Maya monumental art and glyphic texts, and Formative period monumental and small-scale images” (Joyce). I’m illustrating some of this representational imagery, namely figurines. So far I have completed a series of graphite drawings highlighting the textile details on figurines from Playa de los Muertos, a Middle Formative site in Honduras. Below are some of these ilustrations.


Front and back of a figurine showing textile details around waist.

I think these images are a good example of how illustration can augment text and direct the viewer’s eye to the relevant details of an object or idea. Through discussion with Dr. Joyce, I decided to execute the illustrations in graphite and use different rendering techniques to show the viewer where to look.


Textile detail on the lower body of a figurine

By rendering the textiles in continuous tone and only indicating the rest of the figurine with line, I help highlight the details being discussed and remove superfluous information. A photograph of the whole figurine would not have directed the eye so effectively.

Headdress detail on a figurine.

Headdress detail on a figurine.